we are always changing (the ocean)

The ocean is always changing.

I’ve read that, in various forms and architectures, many times over the years. So many iterations of the same, ancient human knowledge, and yet I have never truly known, not really, until today. I don’t think I fully understand anything until I’ve experienced it, viscerally, without analysis.

The thing about the ocean is that the waves are always there, the water always has a relatively consistent chemical makeup, and the sand changes so imperceptibly that it appears to remain the same for thousands of years.

And yet.

Every single time I walk to the beach and stand facing the horizon, the ocean is new. Completely, astonishingly new. There will never be another day, and never has been, when the ocean has been this particular shade of purple as the sun rests behind charcoal grey storm clouds, or this pale, shimmering blue like the inside of an oyster shell, or this impossible frothy thing, awash with orange as the last daylight slips beyond the horizon.

She is untamable.

The crests of her waves shine with bright pleasure one day, and the next she is throwing herself against the sand in grief. Just when I think I know her, can pin her down, find a pattern, she is off again. Using some other palette, some other context. Of course, we hear that the ocean is wild, in “the literature” (to be read with a posh British accent and a sardonic smile). She is a wild, mystical beast, you cannot tame her.

I plant my feet in the sand and gaze out at the water, open to whatever she has to say. Needing a guide. Needing connection. Hoping that her magnetic dance can draw me out of the cramped body I reside in. I have collected so many barriers that it often feels like I’m wandering a maze of my own design. Each wall has helped me, protected me, in moments of extreme distress, but now I need to let some go. I need a dissolving.

And she is here. She is as ephemeral as she is powerful. Her body never stops changing. Her shape never stops shifting. Her context never stops evolving, each part responding to another part, a tapestry of overlapping elements and systems.

I face the ocean and ask her the one question I am always asking.

A vision comes back to me. It is 2018. Tara Brach is guiding me through a meditation. I bring my most heavy, unmanageable problem to the feet of my most wise self. I ask for her guidance. I surrender to presence, breathing in and out. By way of an answer, I receive an image, clear and colorful. I am standing on a grassy riverbed. I am full of something. Is it hope? Is it peace? Is it fierceness? It is something close to equanimity. My bare feet rest firmly in the grass, arms relaxed by my side, as I look slightly up and to my left. I can see my back and the slender, half-moon shape of my profile, and my hands, like dancers by my sides. I see the river, slow, dark, wide. I see all of this from ten paces behind myself, watching the energetic breeze lift my long, brown hair, my fingertips sway slightly with the movement of the wind. I am alone, and yet, I am not alone in the slightest.

I think of this now as I stand before the ocean. Is this an answer? Or simply a continuation of the question. Does having an answer matter? The cycle continues. Just as the cycle of the tide, of each wave, even, has no ending, so does this question I am asking. This need. There will never be a question and answer that satisfies the longing, just as there will never be a moment when the ocean is exactly the same as she was before.

The ocean is always changing. She is wild, untamable, a beast, a mystery. Is she so different from us, then? Is she so separate? One day I am dancing down the sidewalk in the dark, and the next I am wishing I were gone. The parade, no, the circus, of emotions, saturates my body almost every moment of every day. I am elated, now I am scared, now I am heavy with regret. Nothing is constant. Just like her.

And I smile, then, because I realize that the ocean is teaching me. And the question will be asked, and the need will be presented, over and over, and true power will be created by the cyclical movement of it all. I realize that this power, the kind that I had in my vision, comes from being a witness to it all. I realize that it is not a dissolving I need, but an opening. I realize that my feet are holding up my body, pressing firmly into the earth, and that I am looking up and slightly to my left. And I am here.

Ocean

I am in love with Ocean
lifting her thousands of white hats
in the chop of the storm,
or lying smooth and blue, the
loveliest bed in the world.
In the personal life, there is

always grief more than enough,
a heart-load for each of us
on the dusty road. I suppose
there is a reason for this, so I will be
patient, acquiescent. But I will live
nowhere except here, by Ocean, trusting
equally in all the blast and welcome
of her sorrowless, salt self.

-Mary Oliver, from Red Bird

the monsters aren’t what you think they are

I am terrified that nobody will see. 
I am terrified that someone will see. 
I am terrified that nobody will ask me if I’m okay.
I am terrified that someone will ask me if I’m okay. 
I long to stay hidden forever. 
I long to be seen.
I long to suddenly cease to exist. 
I long to live. 

These are all stories we tell ourselves. All of it. The heartbreak. The childhood. The loves. The things we’re good at, the people we want to be around, the places we find joy, all of it. Every last drop is a story we tell ourselves.

Except the body. The body speaks only in memory. In grief. In imprints. There are no tales to weave here. The body cannot lie. Here, there is only an unraveling of what is already whole and perfect and older than we can imagine. 

The monsters aren’t what you think they are.

This is our work, this task of ‘being human.’ None of us are prepared. We don’t know how to live. We try anyway. We want to allow our deepest desires to come up for air, but we are terrified of what they will do to our lives. We condemn our fears, even as we lean in closer to listen to their warnings. 

The monsters aren’t what you think they are. 

We long for a soft landing. We want beauty to be simple, joy to be pure, and growth to be painless. We are ashamed when our lives are complex and difficult. We condemn our darkness, even as it reaches up to us, a gentle suppliant. 

The monsters aren’t what you think they are. 

The body knows darkness. It knows the darkness that envelops the moon each month, the darkness of incubation, the bearer of life. Incapable of masking, paraphrasing, mitigating, or pretending to be something it’s not, the darkness simply is. 

This terrifies us. We have no control. We try, desperately, to maintain the illusion that we are separate from our darkness. We are determined to chase our myth of perfection. We are determined to deny the murk collecting in our torsos, in our jawbones, our hands. 

The monsters aren’t what you think they are. 

The body knows murk. 

The murk is the soft darkness after a parent says goodnight, when you can still hear voices murmuring on the other side of the door. The murk is the stillness of a summer evening, draping itself leisurely out over the white hay bales. The murk is not a sinister mystery. Instead, it is a circle of your younger selves. They are pulling memories out from the depths of their backpacks, showing you each precious piece, proud, triumphant, a little self-conscious. They are naming their grief. They are showing you their wounds. They are waiting for you to touch their shoulders, to smile at their tales, to come to know their desires. 

The monsters aren’t what you think they are. Most often, they are scared children, desperate to be heard. 

These are all stories we tell ourselves. The darkness teaches us how to notice our stories. How to ask questions. How to be quiet. How to listen. How to love. How to live.

Hi all. You can read one of the seeds for this piece here.
-Siena