the mess that remains

We are racing through a living room, on the north side of the house, unsure if this is a game or a real life-or-death situation. My sister has a box in her hands, and she is running from me. The box is plastic, with tiny compartments, each filled with a different type of colorful bead, and her hands are small. My hands are clenched into fists.

Anger billows up out of my armpits, my shoulders, my knees. I sprint faster, finally gaining on my younger sister, Maya, who, in a flash of inspiration, runs up the stairs.

NO. The hot pressure sticks to my ribs, threatening to detonate. A word blooms in my stomach, burrows up through my esophagus, presses against my tongue, digs deep into the crevices of my jaw. I’ve said this word so many times before, in thousands of ways. Sometimes it comes out soft, gentle, imploring, but other times it comes out fighting, harsh, urgent.

I see what is happening in slow motion. That’s not even the right way to describe it. It’s not slow motion. It’s focus. Detached focus. I see what is happening with a focus so clear, it’s as if I am a monk meditating in a Himalayan temple. I know I am about to scream. I know that it is going to be so loud that it will hurt my throat to do it. I know my sister will not be happy about it. I know I will do it anyway.

“MAYAAAAAAAAAAAAA!” I bellow.

Everything stops. She comes to an abrupt halt and looks back at me, full of genuine innocence and hurt. I stand breathing heavily. The anger dissipates. She comes down the stairs. She is deflated, I am deflated, the whole expansive moment is forever deflated.

All I know now is that my sister is sad.

And then it happens. I don’t want her sadness to be my fault. The blame is too much, the guilt overwhelming. I make a pact with myself, then and there, in the pregnant pause between the yelling and her response. I will never scream at my sister again. No matter how angry I get, how much pressure builds up in my body, I won’t let it escape again. 


Ever.

I kept this pact for years, almost perfectly, not just with my sister, but with everyone else in my life.

Until the Ritz cracker incident. 

The next time I let the word “no” escape from the surface of my skin was in a middle school cafeteria. I sat with my stomach pressed up against a round, dark brown, plastic lunch table. My legs fidgeted under the seat as I manically devoured a bag of Ritz crackers, butter and crumbs spreading thick over my fingertips and tongue. We were debating over which deodorant worked best to keep our sixth-grade sweaty armpits dry. You interrupted our discussion with a question: can I have a cracker? you asked.

I froze. I looked at my crackers. I looked at you. 

I was still hungry, and realized suddenly that I didn’t want to give up a single one. Maybe I wanted to eat the rest after school, all by myself. Maybe I wanted to finish the entire roll, right now. I didn’t know exactly what I wanted to do with them, but it suddenly dawned on me that I could tell you no. That your request did not demand immediate obligation on my part. 

I said no. 

You were surprised, but surrendered. 

Truly, before this moment, I had not considered the possibility that I could refuse a request. In my reality, a request from someone was like water. It filled up the space between us, swiftly and completely, flooding everything in its path. The space was immediately full, heavy and real, belonging solely to the requester. There was no room left for me to add anything of mine. 

There was no room for my no. 

Somewhere along the way, I decided that feeling guilt was more unpleasant than being violated. Somewhere along the way, I decided it was far better to disappoint myself than to disappoint somebody else. I could stand to internalize my own pain. I just couldn’t stand internalizing theirs. 

Allowing myself to fade into the background felt easier than experiencing guilt, which inevitably led to Shame. The belief that I was bad and wrong permeated my body. It crushed me. By permitting the violation instead of the “no,” I successfully avoided Shame. 

In my mind, I was a tiny dot and the other, whoever the other happened to be, was a huge sun. My job, as the miniscule dot, was to relentlessly and passionately throw energy in the sun’s direction so they would not burn out. My job was to make sure they were always taken care of. In my mind, I had signed a contract at birth stipulating that, no matter what the cost, I existed to make sure their light never went out. 

I heeded that contract to the letter. I was a good rule follower. I was “good.” 

My fear of being seen as “bad” always trumped the fear of hurting, or even of dying. And it certainly outweighed the fear of feeling uncomfortable in my own body. I avoided guilt at all costs. If it meant wounding myself in the process, so be it. Whatever it took, I avoided guilt. 

In this way, I avoided shame. 

In this way, I avoided learning how to listen to myself. 

Until the Ritz cracker. This was a big deal. This was in direct violation of the contract I believed I was in with the Universe. 

After I said my no, you looked taken aback. You asked, why won’t you give me one? I want all of them, I mumbled. You leaned your head back and raised your eyebrows in performative incredulity, making sure all of our friends saw how shocked and offended you were. Then, as suddenly as it had started, the scene was over. I kept my Ritz crackers. We were still friends. Everything seemed to be okay. 

Except there, in the center of my chest, there was a sensation blooming. My chest was collapsing, as if a gigantic mudslide coursed down between my ribs, pulling bones, muscle, debris down into the abyss, threatening to take the rest of my body with it. My throat tightened into the size of a tiny coffee stirring straw, and my head felt thick with tension. 

There was a reason I religiously avoided disappointing people. Although I had just committed a revolution by saying no, I still had to deal with the mess of guilt and shame that remained in my body. 

There was no way to escape. My body would never let me.

the monsters aren’t what you think they are

I am terrified that nobody will see. 
I am terrified that someone will see. 
I am terrified that nobody will ask me if I’m okay.
I am terrified that someone will ask me if I’m okay. 
I long to stay hidden forever. 
I long to be seen.
I long to suddenly cease to exist. 
I long to live. 

These are all stories we tell ourselves. All of it. The heartbreak. The childhood. The loves. The things we’re good at, the people we want to be around, the places we find joy, all of it. Every last drop is a story we tell ourselves.

Except the body. The body speaks only in memory. In grief. In imprints. There are no tales to weave here. The body cannot lie. Here, there is only an unraveling of what is already whole and perfect and older than we can imagine. 

The monsters aren’t what you think they are.

This is our work, this task of ‘being human.’ None of us are prepared. We don’t know how to live. We try anyway. We want to allow our deepest desires to come up for air, but we are terrified of what they will do to our lives. We condemn our fears, even as we lean in closer to listen to their warnings. 

The monsters aren’t what you think they are. 

We long for a soft landing. We want beauty to be simple, joy to be pure, and growth to be painless. We are ashamed when our lives are complex and difficult. We condemn our darkness, even as it reaches up to us, a gentle suppliant. 

The monsters aren’t what you think they are. 

The body knows darkness. It knows the darkness that envelops the moon each month, the darkness of incubation, the bearer of life. Incapable of masking, paraphrasing, mitigating, or pretending to be something it’s not, the darkness simply is. 

This terrifies us. We have no control. We try, desperately, to maintain the illusion that we are separate from our darkness. We are determined to chase our myth of perfection. We are determined to deny the murk collecting in our torsos, in our jawbones, our hands. 

The monsters aren’t what you think they are. 

The body knows murk. 

The murk is the soft darkness after a parent says goodnight, when you can still hear voices murmuring on the other side of the door. The murk is the stillness of a summer evening, draping itself leisurely out over the white hay bales. The murk is not a sinister mystery. Instead, it is a circle of your younger selves. They are pulling memories out from the depths of their backpacks, showing you each precious piece, proud, triumphant, a little self-conscious. They are naming their grief. They are showing you their wounds. They are waiting for you to touch their shoulders, to smile at their tales, to come to know their desires. 

The monsters aren’t what you think they are. Most often, they are scared children, desperate to be heard. 

These are all stories we tell ourselves. The darkness teaches us how to notice our stories. How to ask questions. How to be quiet. How to listen. How to love. How to live.

Hi all. You can read one of the seeds for this piece here.
-Siena

remember?

remember oatmeal?
hot, sugared mounds of it
emerging from pools of cream

remember potatoes?
mashed with the skins on
tiny bursts of salt and garlic

remember tea?
silky on the tongue, small pucker
then crunchy, sweet toast with jam

remember the kitchen floor?
the dog’s belly, the dust suspended
sunlight the enthused magician
a miracle caught unawares

when we choose the same words

I remember the oozing, frothing rage I felt at the scraggly neighbor at the annual block party. Or maybe he wasn’t scraggly, necessarily, maybe he was clean-cut and looked like a relatively normal, early 2000s, ex-hippie dad, but he looked scraggly as fuck to six-year old me. He was a stranger. He was a scraggly stranger who, when my sister fell off her bike and cut her hand, knelt down to touch her hand and ask her if she was okay.

We were all riding our bikes around like hooligans, yelling and laughing and having a great time. As soon as she fell, I stopped my bike and moved towards her, but he got there first. He was paying attention. She wasn’t okay. Maybe she was crying. Maybe she was bleeding. He was the closest responsible adult. He wrapped his arms around her tiny shoulders in comfort, attending to her.

I think, to a passerby, it looked like a friendly neighbor was comforting a child because he happened to be in close proximity, and her parents happened to be somewhere else enjoying the gathering. It takes a village. To a passerby, I didn’t exist in that scene, and I didn’t need to. I was just another kid. I was standing far enough away that I was outside the frame.

To me, though, it was a different scene. I was the sister. I was her Protector, and I was failing. I was frozen, rigid with rage, torn between running as fast as I could to pull our parents away from their conversation, and staying to protect my sister from this monster. I watched in horror as this unknown man put his body and hands on my sister. Boiling lava erupted inside me and ravaged my small chest. I didn’t know how to get in between them, so I just yelled “I’m her sister!” when he asked where her family was, hoping that that would somehow communicate to him that she was taken care of, that there was absolutely no need for him to pay any attention to her.

I think he let go when my mom came over to check on the situation. There was absolutely nothing inappropriate about what he did. He was a kind man filling in as a fatherly figure, and nothing more. I didn’t voice my rage to anybody – it made no sense in that scenario. That intense feeling of anger and powerlessness stayed with me, though, and resurfaced in various moments of my life after that.

This was such a vivid experience that I wrote about it a few of years later in my 2004 journal when I was nine years old. I’ll include it here, complete with all the original spelling and grammar mistakes.

Its like that time Maya fell off her bike at the tallent show. She scraped her knee. She was crying and bleeding. A man ran over. He huged her. He kept hugging her. Boiling hot lava bubbled up, I was mad + afraid. I stood there, riged. I stared. Here, was this man, daring to touch my sister when she was hurt. My mom and dad still hadn’t noticed. I ran to them. “Mommy!” I said, Maya fell off her bike!” This man’s Hugging Maya!” I shouted, well, so the man couldn’t hear. “It’s fine, it’s fine,” my mom said. She didn’t know how I felt. My mom ran over to Maya. She took her out of the man’s arms. A lot of the Hotness stopped then, But I still had enough left to glare at him. I don’t think he noticed I was staring at him.

-Siena’s Journal, November 28, 2004

I didn’t look at my original journal entry until after I had written this blog post. I knew it existed, but wanted to wait until after writing my account of what happened to reference my journal. The only thing I got wrong was that Maya cut her knee, not her hand. I think it’s fascinating how my memory of it now differs slightly from my memory of it at nine. How some moments are elongated, some shortened. The things I chose to focus on over others.

The most fascinating aspect, though, is that there are certain words I chose at twenty-seven that are exactly the same as the words I chose at nine:

  • boiling lava
  • crying
  • bleeding
  • rigid
  • man
  • fell off her bike
  • enough
  • mom
  • time
  • sister
  • stopped
  • felt
  • think