Last night, I’m immersed in The Sopranos Season 1, Episode 2, and all of a sudden, Tony starts describing this bizarre dream he had. The dream involves a vicious bird, a lost penis, and an auto mechanic, and the whole thing makes me chuckle to myself, especially after Tony says, “and I’m holding it (his penis) up, and this bird swoops down, and grabs it in his beak, and flies off with it.” You see Tony gesturing with his hand to demonstrate the scene, then the camera immediately switches back to the therapist’s forced-imperturbable face. It’s perfect. You have to laugh.
This scene also makes me think. Why are dreams so mysterious, and so varied? Sometimes they’re ludicrous to the point of being comical. But the ludicrous can turn out to be sad. Like Tony’s ducks. He loved those ducks. He truly loved them, and truly felt a loss when they were gone. It doesn’t make any sense, and that’s okay. Sometimes (most of the time) life doesn’t make any sense at all. I know dreams are proof that we work through shit while we sleep. I also think dreams are proof that hardly anything we do, or decide, is rational.
Sometimes I wake up, terrified that what I’ve dreamed has actually happened. The feeling of relief is so magnificent when I realize I still have “control” over my life, and the terrible dream-thing did not happen. But my body has adjusted to the dream, somehow. My body has, in those few moments or hours of dreaming, accepted that the dream is real. And it takes a few moments after I wake up to readjust. Recalibrate to reality.
Sometimes I wake up with the name of a past lover still on my lips, the feeling of losing them so present in my body that it feels like we just said goodbye the day before. It is real longing, conjured up by a dream. And not only longing, but clarity as well. As if, through the experience of that relationship from the dream perspective, I have actually developed a fresh sense of myself in relation to that other being. The dream is not just some fantasy that doesn’t affect me in real life. The dream has transformed my life.
And sometimes, I wake up remembering nothing at all from my dreams.
Dreams are also tied up in memory and identity for me. I remember some of my dreams, from my childhood and teen years, as if they were memories. Fully-formed, tangible memories. You know how we change and shape our memories into stories as we remember them over and over again? Some of my older dreams are like that. I know them now like stories. They’re stories of myself. These dream memories help to form my understanding of myself, my current self, in the current world. They’re important to my identity. They’re resources for me to use, lenses through which I can filter new information.
Dreams are a portal into another realm. We might think that we’re rational beings with free will, but we seem to be operating based on much more ancient, and much less linear, program than we imagine. We like to giggle incredulously at our dreams, at the weird, nonsensical situations we create in our sleeping minds, but is reality much different?
Category: Universe
On Teaching
I don’t often get to talk about my teaching, even though it is arguably the most important thing I do. People usually ask what shows I’m playing next, and how the album recording is coming along, but they don’t really ask me how my 15-year old student is doing on her new composition, or if my 9-year old has learned how to play minor scales yet. I guess teaching piano isn’t as glamorous as getting dressed up and rocking out onstage. But glitz isn’t everything. I think teaching a really inspiring piano lesson to just one student can be as impactful as performing for a big crowd.
When I was 19, I volunteered for a community music school in Montréal to teach free music lessons to kids in underserved boroughs outside of the city. I was fresh out of teaching piano for most of my teen years at Summer Sonatina Piano Camp, plus a couple years of private teaching out of my parents’ house in Vermont, and I was so excited to meet all of my new students. It turned out that we didn’t have enough keyboards for more than one weekly private piano lesson. So I had a single student. Their name (changed here for privacy) was Sam.
The first thing I remember about Sam was their shoulders, which they held slightly slumped forward at all times, as if trying to shrink away from something. From the way they observed me, and the little remarks they made, I could tell they were strong and intelligent, and as soon as we started lessons that intuition was confirmed. We set up our little 76-key keyboard in an empty classroom in their middle school, right in front of the chalkboard by the door. The classroom was messy, and totally ill-suited for a piano lesson, but we jumped right in anyway.
Sam had no musical experience, except for playing around on a little keyboard they had at their house. I showed them how to place their hands on the keyboard, how to keep their fingers strong while they played, and where middle C was. They absorbed everything so quickly, and so completely. I had honestly never taught a student before who could master concepts that fast. It was incredibly fun for me, and Sam was eager to play whatever pieces I brought in for them. We learned chords, scales, arpeggios, and were playing stuff hands together way sooner than I thought someone could. I think one of the last pieces I assigned was Sonatina in C by Clementi, which I usually don’t assign until I’ve been working with a student for at least a couple of years.
I remember one day, we had just sat down at the keyboard, and Sam noticed my earrings. “Why are you wearing mismatched earrings?” they asked me. I felt my earrings, trying to remember which ones I put on that morning, and they were indeed mismatching. It was something I did a lot back then, in defiance of expectations mostly, and partly simply to show people that I was a badass. I smiled. I said, “I’m wearing them because we can do whatever the hell we want. Who says earrings have to match? It’s a silly rule.” They gaped at me, then laughed. I know that message stuck with them.
I know because as the semester progressed, they started sitting down at the piano as if they belonged there. And not just a belonging at the piano. A belonging in the space they inhabited. In the world. Their shoulders weren’t slumped anymore – they sat upright, ready, alert, believing in themselves. In the beginning, they would call themselves stupid or lazy in almost every lesson. And every time, I would tell them that they were smart, hardworking, and capable. Because it was fucking true.
The music was just an avenue for me to help them find confidence in themselves. It was proof that they could excel at something. It was proof that the school system that put them in the “stupid people math classes,” as Sam would call them, was just plain wrong. They slowly realized that they had the power to do whatever the hell they want.
That’s why piano lessons are so fucking awesome.
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DonateDonate monthlyDonate yearlyOn Joy
One time, my mom gave me a book called 14,000 Things to Be Happy About. It was awesomesauce. I’ve opened it so many times, read for a couple minutes, then closed it with a knowing smile on my face. It even inspired me to ask friends and family to write their own lists of what makes them happy. To this day, I still have the notebook where I collected these various “happiness lists.” Maybe someday I’ll do something with them. Who knows.
I’m tired AF tonight, need to feel a little joy in my body, and don’t want to write anything truly coherent, so here’s my own happiness list, in no particular order:
pot roast slow-baked with beer
a new gel pen
playing a song at a show that makes someone cry
making my own stickers using colored pencils
sharing a meaningful look with a stranger as I walk by them on the sidewalk
waffles with strawberry jam
kids creating their own compositions in piano lessons
a big, clean dining room table
beautiful tea towels
using cash to buy cheap coffee
using coins from my piggybank to buy expensive ice cream
Vans sneakers
biking with someone I love
asking trees for advice
eating raw green beans
my cat’s almost obscene obsession with chasing and eating green beans
getting into bed with clean sheets
biscuits and grits
snuggling on the couch watching a movie, eating popcorn with my partner
mid-solo realizing that this shit actually sounds dope
walking along a river
flourless chocolate cake
holding hands in public
giving someone a gift I’m super excited for them to have
ice-cold lemonade
putting $40 into my retirement account
practicing piano in the morning sunlight
sweet tea
watching a really good Netflix food documentary
seeing a flower I’ve never seen before
Bananas Foster
listening to the birds
moss
eating at a fucking amazing restaurant on my birthday
dessert wine
leather jackets
long dinners with family
walking in cold weather drinking a hot drink
laughing so hard that tears stream down my face
showering after a workout
my cat’s hilarious habit of eating popcorn when I throw it for him
really, really, really, really warm socks
first snow
hugging my mom
getting paid to play music
the moment when the food arrives at the restaurant
snuggling
seeing a butterfly
walking barefoot
going to sleep after a long day of working
swimming in a lake
giving myself a hug
greenhouses
blackberries
cats in laundry baskets
the little moment when my partner joins me in bed after a long rehearsal and whispers “I love you so much” into my hair
homemade tie die shirts
Steinway pianos
balling out and choosing the whole bottle of wine at a restaurant
I could literally do this forever, so I’m gonna cut myself off there and call it a night. Make your own list! Try not to judge what comes out. It’s honestly so fun. I feel better already.
On Childhood
childhood dream place
wings and moss in abundance
light shining through us
On Flight
Scruffy, angelic white puffs blow in the wind outside my plane window. My sister says it’s an invasive species. It seems ludicrous that something so beautiful could be so violent. We take off, and the white puffs give way to dead grass, then an expanse of grey sky. I’m thinking about elementary school birthday parties in dimly-lit bowling alleys. I can taste the greasy pizza soaking through the paper plates. Huge sheet cakes with frosting so sugary the granules are rough on my tongue. Blue lettering. A barbie with hair that grows when you pull a string.
Now we’re over the ocean, spots of white littering the indigo blue water. I can still see the lines of tiny boxes on the shore, distant now. I’m thinking about how someone once described humans as a parasite, quickly spreading across Earth, taking and digging, extracting all the life out of our host. Sucking her dry. The CDC describes a parasite as “an organism that lives on or in a host organism and gets its food from or at the expense of its host,” so this seems pretty accurate. I wonder if I agree with this image of my species. It’s certainly romantic, but makes my skin feel too tight for my body, especially from up here in this plane, where our parasitic behavior is so clearly laid out for me to see. The Bay, taken over by human dwellings, along with all the necessary dwelling-accessories. Tiny lines, beige against green: roads. Lighter bits bunched together in squares: farmland. Chunks of sun reflected, glinting: office buildings leering up at me.
Now the mountains are below us. They are bare compared to the city we left behind. Strong in their solitude. It’s been awhile, a long moment of just spacing out in the general direction of the horizon, but I haven’t been able to forget the parasite analogy. Will these little pockets of human disease eventually spread to cover the entire surface of the earth? Will the faraway mountains soon be teeming with scurrying people, gardens, rats, parks, highways, restaurants, and chlorinated pools?
In the distance, the mountains have huge wrinkles. Elephants, heavy velvet. These mountains know deep change: they are not static. Constant erosion. Surrender. Receiving. Yielding to the rain that flows down their many faces. They are relinquishing and relenting. I think the mountains must have to fully know themselves to accept such complete and uncontrollable distortion, without protest.
I think about how often I used to yield to people and experiences. When I was 18, the thrill of that surrender was expansive. It felt like a dripping diamond necklace, or a huge, cool lake waiting for me to jump into the deep waters. The thrill was like water, flowing around me, through me. A womb and a river simultaneously. I was at home in surrender. I trusted that I, or something else, something benevolent and good, would pull me out if it got to be too much. If I got too chilled, or too wrinkled.
I didn’t know myself yet. Or maybe I knew myself too much already, and the world would not budge to accommodate my knowing.
The people I surrendered to were not ready for the trust I immersed them in. They were not the rain. Was I the mountain? Was I the rain?
These people submerged me. And I drowned. They told me I couldn’t swim, should not swim. So I stopped swimming. That was part of the yielding, right? I had to yield. To make the complete shift to embody someone else’s experience, I had to leave my own body and experience behind. And so I went still. My limbs atrophied, my mind filled with grotesque images of floating heads and penises, surrounding me in a suspended, tangled mass until I couldn’t breath anymore, and drowned.
What was the yielding, then? Suicide? Or was it just a big misunderstanding? Back then, I assumed that everyone was exactly like me. I saw a face and thought, “behind that face is a deeply-feeling, spectacular spirit that takes in everything, yields to everything, and knows itself fully.” I thought everyone was tapped into the huge, cool lake of it all. I thought each person would automatically wrap us in a warm, fluffy towel if things got to be too much, too cold. I thought they would notice these things. I thought they were like me.
But it was all a big misunderstanding, wasn’t it?
Now we’re moving through the clouds. I’m thinking about all those times as a kid, looking out the airplane window at the clouds and feeling like this is the one true experience. Like everything else in the universe was just a distraction from this moment. Like this white, clumpy, grey, writhing mass was the pure heart of it all. At the time, it felt undeniable. Now, the cloud is over much more quickly than I remember. Now, I watch it giving way to a clear view of Los Angeles below us.
Los Angeles, the parasite to end all parasites. The horrid, flat buildings weighing down the land. The football fields, skyscrapers, palm trees, languid universities, and sad little cars. The water shipped in from Yosemite. The clouds are above us now, back where they belong, suspended in chaotic little puffs. An ominous fog obscures the horizon to my right.
Suddenly, there are large piles of red dirt and tiny scruffs of bush along the runway. White paint sprayed on the pavement to mark our way as the plane lands. Houses in the distance jar me back to the parasite idea. “The parasite carrier touches down onto its host,” I think wryly. First stop down, two to go.
Reality
I live in my dreams
I haunt reality
my mother sings to me
she sings me to sleep
Reality doesn’t have much to give me
I’d rather be sleeping and hide in my dreams
awake I can’t breathe
the light is so heavy
asleep I can see
the colors wide and deep
Reality doesn’t have much to give me
I’d rather be sleeping and hide in my dreams
Reality doesn’t have much to give me
Meteor
sit with me
gaze into space
can you hear
the stars embrace
stay with me
on the bridge
blankets up
to the edge
of our faces
of our chins
breathing places
we’ve never been
I know, I know you
I know, I know it’s hard
the meteor may never come
but there are songs yet to be sung
the meteor is slow to fall
but you and I talk through it all
take in
the night sky
as it bows
its head to cry
walking past
the morning birds
they understand
how much it hurts
to know you can’t
go back and change
who you were
or who you hurt
I know, I know you
I know, I know it’s hard
the meteor may never come
but there are songs yet to be sung
the meteor is slow to fall
but you and I talk through it all
I know it’s sad
but I’m here
I know it’s sad
but have no fear
we’ll lift up
our heads tonight
and won’t look back
on who we might have been
I know, I know you
I know, I know it’s hard
the meteor may never come
but there are songs yet to be sung
the meteor is slow to fall
but you and I talk through it all
the meteor may never come
but there are songs yet to be sung
the meteor is slow to fall
but you and I talk through it all
Dream
childhood dream place
wings and moss in abundance
light shining through us
May
there is a time to rest
among the soft flowers
[they exist
whether you are there
or not]
Wednesday
teeth crumble
in her mouth
white night folds
over on itself
cutting gravel
on her tongue
naked before the rain,
birdsong, the March
there is a time
to live
there is a time
to rest
there is


